Barry Lyndon

Scaling down – Truck out (Part 1)

A truck-out is the opposite of a truck-in. Instead of moving forwards, the camera pulls back along its view axis to scale down the characters and their environment. Unlike zoom-outs, the camera actually moves backwards Continue reading

Scaling down – Zoom out (Part 2)

Here we go with the emotional aspect of zooming out. Scaling characters down by zooming out on them objectifies their figures and make them look isolated or defeated. But design and speed also have an important role Continue reading

Scaling down – Zoom out (Part 1)

By widening our vision field, zoom-outs give a broader view of the stage while at the same time objectifying characters by scaling them down. This twofold effect has a number of important uses. Continue reading

Focus – Pointing vs Concealing (Part 1)

In many ways, ‘focus blur’ is very similar to the concept of ‘translucent overlay’, which is why it shows up now. If you think about it, there are few differences between subjects that are out of focus and Continue reading