Highlander

Alternating cut-ins and cut-outs

Cut-ins and cut-outs are definitely not limited to one-shot effects. Alternating cut-ins and cut-outs — like alternating zoom-ins and zoom-outs or alternating truck-ins and truck-outs — lend themselves very well to designing long series of shots — even entire scenes Continue reading

Scaling up – Truck in (Part 2)

In this page, we will see how truck-ins can be used to depict characters’ emotions and mental activity. As before, in order to let you compare the differences between truck-ins and zoom-ins, both articles share the same structure. Continue reading

Focus – Pointing vs Concealing (Part 2)

In part 2, we will take advantage of relatively shallow depths of field to reveal, browse and reinforce subjects. We will also see how prefocusing can make the audience expect characters to enter the frame. Continue reading

Psychic shot scale – The Extreme Close Shot (Part 2)

In the second part of this article, we will focus on Extreme Close Shots (ECS) in dialogs, and see that staging in depth this shot scale is still possible, but at the cost of dealing with very shallow depth of field. Continue reading