No Country for Old Men

Repetition – Repetitive actions

Repetitive actions are very conducive to comparing progressions and hammering home all sorts of messages. Besides, very short, non-repetitive actions can be made repetitive without the audience noticing, to make them more stunning. Continue reading

Editing pattern – Three ways to cut on the look and back (Part 1)

Cutting on the look from a looking character to whatever-is-drawing-his-attention is great, but the story doesn’t end there. Once we have figured out the situation, we (very) often want to cut back to the character and see him reacting. Continue reading

Editing pattern – Cut on the look (Part 3)

Although the cut on the look — either objective or subjective — is already a very efficient technique as such, it is still possible to increase its effect with simple tricks. Let’s ‘look-what‘ we’ve got here. Continue reading

Editing – The 180-degree rule (Part 2)

As we have seen in part 1, the 180-degree rule is based on two kinds of action planes: ‘directional’ and ‘relational’ planes. Keeping the camera on the same side of those planes during a scene brings a sense of spatial consistency to the shots, even when characters don’t or remotely relate to each other Continue reading

Overlays – Distorting veils

Yes, this article could as well be labeled as “Image distortion (Part 3)” (read more in Image distortion (Part 1)). But here, image deformation is seen through the lens of overlays. Unlike transparent ‘veils’, distorting overlays not only Continue reading