Se7en

Editing – From short to subliminal shot

What’s the difference [eat at Joe’s] between a very short shot and a subliminal shot? Answer: Not much. Sure… but let’s put it another way: Does shortening a shot to a single frame [eat at Joe’s] makes it subliminal? And what does [eat at Joe’s] subliminal mean anyway? Continue reading

Scaling down – Cut out (Part 2)

In part 1, we saw how cut-outs could be used to reveal context and action, but what about exposing characters? How about creating space to unbalance the frame so that we expect a subject to show up and fill the void? Continue reading

Editing pattern – Nested cut-ins (Part 1)

Getting closer to a subject doesn’t mean that we have to do it in one go. When action is static, or emotions need time to build up, a step-by-step approach allows the audience to gradually sneak into a scene. Continue reading

Focus – Pointing vs Concealing (Part 1)

In many ways, ‘focus blur’ is very similar to the concept of ‘translucent overlay’, which is why it shows up now. If you think about it, there are few differences between subjects that are out of focus and Continue reading

Psychic shot scale – The Extreme Close Shot (Part 1)

Extreme Close Shots (ECS) bring the audience as close as possible to characters, which means that some of their face features necessarily fall outside of the frame. As a result, the audience naturally focuses their attention on Continue reading