The Blue Lagoon

Editing – Montage (Part 2)

Let’s now get into the heart of the topic: montage for condensing time and space. After introducing montage as a way to display methodical actions, we will now review how this storytelling technique can help depicting trips and territorial expansions, the passing of time, Continue reading

Repetition – Fixed angle

Before moving on to a thorough discussion on repetition in film storytelling, let me dwell for a page on the concept of fixed angle. A fixed angle is a shot configuration that is used more than once in a movie in order to make a specific place or action sink deep into the audience’s mind. Continue reading

Editing – Alternatives to the ‘cut on the look’ (Part 1)

The problem with the regular and reverse cut on the look is that they are so much ubiquitous in movies that they tend to get predictable and repetitive after a while. Sometimes, we need to be more creative to add variety in our shots and keep our story interesting. Continue reading

Scaling down – Have subjects move to the background (Part 2)

In part 1, we saw how watching subjects moving away from the camera could impact the audience emotionally — mainly because we feel unable to protect remote characters. But that is only one side of the coin. We also feel abandoned Continue reading

Editing pattern – Nested cut-ins (Part 2)

When action is static and the pace of nested cut-ins quick enough, the editing pattern I call the Russian doll effect really shows off its strength. Even zoom-ins or truck-ins can be edited to look like regular nested cut-ins. Continue reading