The Wild Wild West (series)

Editing – Montage (Part 1)

A ‘montage sequence‘ (or simply ‘montage‘) is a series of shots edited into a sequence to condense space, time, and information (wikipedia). Beyond its technical aspects, a montage is also an important storytelling technique Continue reading

Repetition – Repetitive actions

Repetitive actions are very conducive to comparing progressions and hammering home all sorts of messages. Besides, very short, non-repetitive actions can be made repetitive without the audience noticing, to make them more stunning. Continue reading

Editing – Alternatives to the ‘cut on the look’ (Part 1)

The problem with the regular and reverse cut on the look is that they are so much ubiquitous in movies that they tend to get predictable and repetitive after a while. Sometimes, we need to be more creative to add variety in our shots and keep our story interesting. Continue reading

Editing pattern – Cut on the look (Part 3)

Although the cut on the look — either objective or subjective — is already a very efficient technique as such, it is still possible to increase its effect with simple tricks. Let’s ‘look-what‘ we’ve got here. Continue reading

Editing pattern – Nested cut-outs

Less notorious than nested cut-ins, nested cut-outs are common place in action and ‘creative’ movies. This editing pattern incrementally moves the audience away from the action either at a slow or quick pace Continue reading

Scaling up – Zoom in (Part 2)

With all the pinpointing and focusing of zoom-ins we came across in part 1, it almost seems that we have forgotten about the emotional aspect of magnifying subjects on screen. Continue reading

Scaling up – Have subjects come to the foreground (Part 1)

Scripts very often need subjects to become scaled up on screen without changing the viewing axis. Exploring the hows and whys of this need will eventually lead us to cut-ins, but before we get there, Continue reading